The role made her a star, won her a contract and prompted her to change her name to Anne Shirley. Shirley got her break, and her screen name, when she won the role of school girl Anne Shirley in RKO's hit adaptation of the Canadian classic Anne of Green Gables (1934). In So Big! (1932), she played the young Barbara Stanwyck five years before Stanwyck and she would play one of the screen's most memorable mother-daughter pairs in Stella Dallas (1937). As Dawn O'Day, the young actress became something of a fixture in early talking films, usually playing the stars' daughter or the leading lady as a young woman.
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All of the ambition in the Paris clan lay with her mother, who fostered her career through various professional names. The former model and child actress only got into the business to support the family after her father died while she was still an infant. Leading lady Shirley, born Dawn Paris, did not share her character's ambitions. The opening night laughs clue her in and break her heart, but she fortunately has met a wealthy aspiring artist in her travels, offering the opportunity for a well-funded artistic future if she can get over her wounded feelings. What she doesn't know is that the New York production is intended as a spoof, with the eager but unsuspecting beginning actress as one of its biggest jokes. Dreaming of following in her late mother's footsteps as an actress, Shirley defies grandfather Edward Ellis' orders by first attending and then running off to New York to star in one of her mother's biggest successes, Virtue's Reward. The thirst for fame and stardom provides unexpected heartaches and rewards for Anne Shirley's Jenny Yates in the 1936 comedy, Chatterbox. After apologizing for his harsh attitudes, Uriah drives a disillusioned if wiser Jenny back to the farm and, on the way, discovers Philip hiding in the trunk. Humiliated, Jenny runs from the stage and refuses to finish the play. As Uriah, Philip and his father watch, Jenny opens the show and is shocked when the audience begins to laugh at her performance.
Just before the play's premiere, Uriah arrives in New York and meets with Philip's businessman father about Jenny's whereabouts. When Philip, who has fallen in love with Jenny, realizes that she is being used by Archie, he tries to educate her but, confronted by her bubbling enthusiasm, is unable to break the news. Struck by Jenny's natural innocence, Archie decides to cast her in the lead, but neglects to tell her that the production is to be a spoof on the melodrama. There, Jenny convinces Philip to help her find a job in the theater, and sure that she will be rejected, he sends her to Archie Fisher, the director of Virtue's Reward, which is about to open in New York. Philip discovers Jenny on the way to New York and, though distressed by the situation, agrees to drive her to the city.
Consequently, when Jenny returns home and finds the door locked, she assumes that Uriah has banished her and hides in the car trunk of artist Philip Greene, a wealthy heir who is traveling with the troupe. Although Uriah leaves the door unlocked that night, Michael Arbuckle, a thieving hired hand who fears exposure from Jenny, latches it. Jenny, however, ignores her grandfather's threats that she will be locked out permanently if she goes, and sneaks out of the house. Because Jenny's mother, who had run away from home to become a stage actress and later died tragically, once played the lead role in Virtue's Reward, Uriah refuses to allow Jenny to attend the show. Jenny Yates, a talkative teenaged orphan who lives with her grandfather, Uriah Lowell, on his New England farm, becomes stage-struck when a theatrical troupe from New York arrives in town with a revival of the Victorian melodrama, Virtue's Reward.
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